i’ve started listening to entire albums since about april/may, and i can’t find anymore albums that interest me i liked most of these albums and they’re not in order by how much i liked them, just by how recently i listened to them, oldest-newest the albums that i’ve listened to multiple times are the albums i like the most
a fever you can't sweat out by panic at the disco
from under the cork tree by fall out boy
three cheers for sweet revenge by my chemical romance
isolation by kali uchis (x2)
mini world by indila
favourite worst nightmare by the arctic monkeys (x2)
sounds good feels good by 5 seconds of summer
5 seconds of summer by 5 seconds of summer
calm by 5 seconds of summer
lover by taylor swift (x4)
reputation by taylor swift (x4)
harry styles by harry styles
fine line by harry styles
walls by louis tomlinson
voicenotes by charlie puth (x2)
divinely uninspired to a hellish extent by lewis capaldi
sucker by charli xcx
norman f***ing rockwell by lana del rey
sweetener by ariana grande (x2)
youngblood by 5 seconds of summer (x2)
heartbreak weather by niall horan (x2)
made in the a.m. by one direction
shawn mendes by shawn mendes
inner monologue part 1 by julia michaels
inner monologue part 2 by julia michaels
lm5 by little mix (x3)
manic by halsey
expectations by bebe rexha
flicker by niall horan
born to die by lana del rey
get weird by little mix
glory days by little mix (x2)
midnight memories by one direction
four by one direction
nervous system by julia michaels
melodrama by lorde (x2)
salute by little mix
dna by little mix
dangerous woman by ariana grande
golden hour by kacey musgraves (x2)
25 by adele
artpop by lady gaga (x2)
red by taylor swift
illuminate by shawn mendes
bloom by troye sivan (x2)
how i’m feeling now by charli xcx
charli by charli xcx
pop 2 by charli xcx
mind of mine by zayn
delirium by ellie goulding
cannibal by kesha
animal by kesha
chromatica by lady gaga (x2)
know-it-all by alessia cara
folklore by taylor swift (x4)
back to black by amy winehouse
kid krow by conan gray
1989 by taylor swift (x2)
k-12 by melanie martinez
notes on a conditional form by the 1975
all your fault: pt 1 by bebe rexha
all your fault: pt 2 by bebe rexha
pure heroine by lorde (x2)
damn by kendrick lamar
narrated for you by alec benjamin
honeymoon by beach bunny
for emma, forever ago by bon iver
rumours by fleetwood mac
future nostalgia by dua lipa
thank u, next by ariana grande
cuz i love you by lizzo
rare by selena gomez
confident by demi lovato
expectations by hayley kiyoko
gaslighter by the chicks
electra heart by marina
4 by beyonce
blonde by frank ocean
eternal atake by lil uzi vert
hollywood’s bleeding by post malone
camila by camila cabello
blood harmony by finneas
suga by megan thee stallion
÷ by ed sheeran
ceremonials by florence + the machine
high as hope by florence + the machine
the family jewels by marina
clarity by kim petras
~how i’m feeling~ by lauv
speak your mind by anne-marie
hot pink by doja cat
immunity by clairo
i like it when you sleep, for you are so beautiful yet so unaware of it by the 1975
the masquerade by mxmtoon
ultraviolence by lana del rey
melophobia by cage the elephant
wiped out! by the neighbourhood
am by the arctic monkeys (x3)
tranquility base hotel & casino by the arctic monkeys (x2)
badlands by halsey
hard to imagine the neighbourhood ever changing by the neighbourhood
suck it and see by the arctic monkeys (x2)
humbug by the arctic monkeys (x2)
whatever people say i am, that’s what i’m not by the arctic monkeys (x2)
channel orange by frank ocean
icarus falls by zayn dirty computer by janelle monaé
tell me it’s real by seafret
romance by camila cabello
born this way by lady gaga
visions by grimes
joanne by lady gaga (x3)
circus by britney spears
ctrl by sza
igor by tyler, the creator
swimming by mac miller
arrival by abba
strange desire by the bleachers
cheap queens by king princess
legends never die by juice wrld
one of the boys by katy perry
teenage dream by katy perry
prism by katy perry
doo-waps & hooligans by bruno mars
24k magic by bruno mars
unorthodox jukebox by bruno mars
witness by katy perry
smile by katy perry
speak now by taylor swift
heard it in. past life by maggie rogers
the fame monster by lady gaga
gone now by the bleachers
amala by doja cat
lungs by florence + the machine
how big, how blue, how beautiful by florence + the machine
american teen by khalid
racine careé by stromae
free time by ruel
crybaby by melanie martinez
my mind makes noises by pale waves
riot! by paramore (x2)
paramore by paramore
stokeley by ski mask the slump god
goodbye yellow brick road by elton john
the 1975 by the 1975
magdalene by fka twigs
lust for life by lana del rey
salad days by mac demarco
2 by mac demarco
be the cowboy by mitski
the origin of love by mika
brand new eyes by paramore
wasteland, baby! by hozier
hozier by hozier
zeros by declan mckenna
let go by avril lavigne
currents by tame impala
after laughter by paramore
little dark age by mgmt
taylor swift by taylor swift
fearless by taylor swift
bad contestant by matt maltese
cheek to cheek by lady gaga and tony bennett
heaven & hell by ava max
the works by queen
born in the u.s.a. by bruce springsteen
purple rain by prince
let’s dance by david bowie
night vision by imagine dragons
edit: tried spacing everything out, easier to read ig
submitted by i've noticed a lot of y'all ask for songs with heartbreak as its main theme, so from a depressed 18-year-old who listens to a lot of music made in the 2000s - 2010s, here's my ultimate list for every different type of heartbreak imaginable. if you need songs for a certain type of heartbreak that doesn't fall under any of the lists below, let me know and i'll try to find songs for you. also, the genres are completely mixed; if you want anything in a specific genre (with the exception of metal and country), let me know as well. lastly, some of the songs will overlap because they're applicable for multiple types.
if you really enjoy this, I can make a list for different types of sadness and even positive moods. let me know if these fit or work with you!
----------------------
narcissistic heartbreak (completely sad, grieving, mainly describing the sadness and not necessarily lashing out at the other person, somewhat of a 'what did i do wrong' vibe):
December - Neck Deep
Dancing On My Own - Calum Scott
sometimes - Chelsea Cutler
this is what heartbreak feels like - Clinton Kane
Wish I Never Fell in Love - Cold Illumination
lost//found - EDEN
crash - EDEN
and - EDEN
start//end - EDEN
Way to Break My Heart - Ed Sheeran, Skrillex
i'm sad - eli.
Let U Go - Faime
You Were a Home That I Wanted to Grow up In - Flatsound
Distance - Flatsound
ghost stories - ghosthands
p.s. - gnash
daydreams - gnash, Julius
you were good to me - Jeremy Zucker, Chelsea Cutler
Love Song for No One - John Mayer
Useless - Kayden
Colder - Kayden
as long as it takes you - keshi
Coaster - Khalid
street lights - killedmyself
don't worry about me - killedmyself
Malibu Nights - LANY
The Night We Met - Lord Huron
If You Want Love - NF
Friendly Dark - Ollie MN
Let Her Go - Passenger
Broken - Patrick Watson
I Could Never Be Loved - Powfu
Jealous - Labrinth
A Song About Being Sad - Rex Orange Country
traditional heartbreak (focused on the other person, desperate, sort of the 'you left me and i'm torn apart, i could/want to give you everything' vibe)
Lie to Me - 5 Seconds of Summer, Julia Michaels
Amnesia - 5 Seconds of Summer
Ghost of You - 5 Seconds of Summer
Half a Heart - One Direction
I Don't Wanna Love Somebody Else - A Great Big World
Let Me Down Slowly - Alec Benjamin
It's You - Ali Gatie
you're my world - atlas
Insulin - Atlas In Motion
Drifted - Atlas In Motion
Burgundy - Atlas In Motion
December - Atlas In Motion
Keyframe - Atlas In Motion
Things That I Miss - awfultune, Sandosius
Half Past You - ayokay, Future Jr.
A Sad Song About A Girl I No Longer Know - Bedside Kites
i love you - Billie Eilish
I Needed You - blackbear
My Heart Is Lost - blackbear
hell is where i dreamt of u and woke up alone - blackbear
Idfc - blackbear
Ain't Trippin - blackbear
Skinny Love - blackbear
sunder - brakence
softie - brakence
boywontcry - brakence
Dancing On My Own - Calum Scott
You Are The Reason - Calum Scott
sometimes - Chelsea Cutler
please - Chelsea Cutler, Jeremy Zucker
this is what being cheated on feels like - Clinton Kane
this is what a toxic relationship feels like - Clinton Kane
I Can't Make You Love Me - Dave Thomas Junior
Analog Boy - DBMK
Hot Mess - DBMK
You've Haunted Me All My Life - Death Cab for Cutie
I Dreamt We Spoke Again - Death Cab for Cutie
Marvins Room - Drake
sex - EDEN
drugs - EDEN
and - EDEN
rock + roll - EDEN
End Credits - EDEN
wonder - EDEN
Gravity - EDEN
drowning. - Eden Project
Way To Break My Heart - Ed Sheeran
Happier - Ed Sheeran
the one for me - eli.
23 - eli.
that girl - eli.
attached - eli.
could have been - familypet
so long, goodbye - familypet, LiL Lotus
I Don't Miss You At All - FINNEAS
Break My Heart Again - FINNEAS
Don't Call Me At All - Flatsound
You're a Mess in Public - Flatsound
You Were a Home That I Wanted to Grow Up In - Flatsound
You Are the Coffin - Flatsound
You Wrote "Don't Forget" On Your Arm - Flatsound
You Said Okay - Flatsound
Hands - Flatsound
I'm What You Need - Gabe Bondoc
lonely again - gnash
Leave A Message - gnash
stay still - ghosthands
i hate u, i love u - gnash, Olivia O'Brien
u just can't be replaced - gnash, rosabeales
t-shirt - gnash
feelings fade - gnash, RKCB
happy never after - gnash
fuck me up - gnash
I Don't Have to Tell You I'm Okay Anymore - Graveyard
Good Things Fall Apart - ILLENIUM, Jon Bellion
silhouettes of you - isaac gracieyou were good to me - Jeremy Zucker, Chelsea Cutler
A Soulmate Who Wasnt Meant to Be - Jess Benko
i loved you first - joan
SLOW DANCING IN THE DARK - Joji
All Time Low - Jon Bellion
I Still Need You - Kayden
Better - Kayden
What About Me? - Kayden
Letting Go - Kayden
You Don't Care At All - Kayden
anymore - Kayden
I'm Gone - Kayden
How Are You - Kayden
over u - keshi
2 soon - keshi
as long as it takes you - keshi
All I Want - Kodaline
I Don't Wanna Love You Anymore - LANY
Thru These Tears - LANY
okay - LANY Julia Michaels
Reforget - LANY
Someone You Loved - Lewis Capaldi
Fade - Lewis Capaldi
Bruises - Lewis Capaldi
The Night We Met - Lord Huron
Cinco De Mayo Shit Show - Marietta
You're My Girl (Lost Recording #6) - Mark Diamond
Happier - Marshmello, Bastille
If You Leave - Meredith Brackbil
Say Goodbye - Monty Datta, Snow
feelings are fatal - mxmtoon
please don't - mxmtoon
i miss you - mxmtoon
It's Cool, We Can Still Be Friends - Nehalem (Bright Eyes cover)
Please Never Fall In Love Again - Ollie MN
Half a Heart - One Direction
In My Head - Peter Manos
Better Now - Post Malone
is it too late? - rei brown
Picture Frames - rei brown
checklist / the one about watching friends - remy
Untitled - Rex Orange County
No Right To Love You - Acoustic - Rhys Lewis
tell me that you miss me - shattered
Wasn't I Enough - Sky
You Don't Want Me Anymore - Snow, Teqkoi
Emptiness Is a Closet Full of Your Old Clothes - Wishing
At the End pt. 1 - Wylder
At the End, Pt. 2 - Wylder
longing heartbreak (wanting someone back, kind of a 'i need you' vibe)
Let Me Down Slowly - Alex Benjamin
It's You - Ali Gatie
Insulin - Atlas in Motion
I Know - Atlas in Motion
Phase - Atlas in Motion
Idfc - blackbear
please - Chelsea Cutler, Jeremy Zucker
You Mean The Whole World To Me - dandelion hands
I Can't Make You Love Me - Dave Thomas Junior
Halflife - DBMK
I Will Follow You Into the Dark - Death Cab for Cutie
Transatlanticism - Death Cab for Cutie
drugs - EDEN
End Credits - EDEN
wrong people - eli.
that girl - eli.
Break My Heart Again - FINNEAS
I'm What You Need - Gabe Bondoc
p.s. - gnash
be - gnash
forgive - gnash
i think you're really cool - guardin
Old Eden - Honeywater
Different Story - INTRN
comethru - Jeremy Zucker
Sorry - Jess Benko
i loved you first - joan
I Still Need You - Kayden
Useless - Kayden
On the Way - Kayden
Looking at You - Kayden
Starting Over - Kayden
What About Me? - Kayden
Letting Go - Kayden
You Don't Care At All - Kayden
How Are You - Kayden
the reaper - keshi
right here - keshi
2 soon - keshi
over u - keshi
I've Changed for You - Kina, Madson Project
Get You the Moon - Kina, Snow
addict (W/ One Hope) - knowuh
If You See Her - LANY
okay - LANY, Julia Michaels
Reforget - Lauv
Infection - LEW
The Night We Met - Lord Huron
Happier - Marshmello, Bastille
Spectrum - Acoustic - Matthew Koma
Underwater - Matt Van
Honest Mistake - Max Embers
It's Cool, We Can Still Be Friends - Nehalem (Bright Eyes cover)
Please Never Fall In Love Again - Ollie MN
Half a Heart - One Direction
Missin You Crazy - Acoustic - Russ
Hurt - Sasha Sloan
tell me that you miss me - shattered
Wasn't I Enough - Sky
Stumblin' Home - Smallpools
sorry - tea
i miss you - tea
Be My Mistake - The 1975
Elise - The Greeting Committee
It Wasn't Easy to Be Happy For You - The Lumineers
Sadderdaze - The Neighborhood
Heartbeat - The Scarlet Project, Atlas In Motion
RUNNING OUT OF TIME - Tyler, The Creator
Waiting for You - Verzache, Swell
i'd die for you - yesterday
happy songs that remind you of the wrong things (upbeat or positive-in-meaning songs that create a feeling of sadness or heartbreak)
Here Without You - 3 Doors Down
It's You - Ali Gatie
you're my world - atlas
The Moon Song - beabadoobee, Oscar Lang
Feeling Lonely - boy pablo
Places We Won't Walk - Bruno Major
Nothing - Bruno Major
Best Part - Daniel Caesar, H.E.R
Speechless - Dan + Shay
19 You + Me - Dan + Shay
Full Of It - DBMK
Halflife - DBMK
One of One - Duendita
sex - EDEN
wonder - EDEN
Falling - Elaine
over you - eli.
Hero - Family of the Year
I Hope You're Okay - Flatsound
i could change ur life - gnash
i think you're really cool - guardin
Work Song - Hozier
Empty Space - James Arthur
i loved you first - joan
Love Song for No One - John Mayer
CAN'T GET OVER YOU - Joji, Clams Casino
Colder - Kayden
Sunkissed - khai dreams
Get You The Moon - Kina, Snow
Thru These Tears - LANY
okay - LANY, Julia Michaels
Here With Me - Marshmello, CHVRCHES
Little Things - One Direction
Make You Mine - PUBLIC
Our Love Remains - rei brown
Stumblin' Home - Smallpools
For the First Time - The Script
EARFQUAKE - Tyler, The Creator
RUNNING OUT OF TIME - Tyler, The Creator
Lucky People - Waterparks
Heart Like Yours - Willamette Stone
At the End pt. 1 - Wylder
At the End, pt. 2 - Wylder
unrequited heartbreak (you aren't loved back, your crush doesn't feel the same way vibe)
Why Won't You Love Me - 5 Seconds of Summer
I Don't Wanna Love Somebody Else - A Great Big World
Keyframe - Atlas in Motion
A Sad Song About a Girl I No Longer Know - Bedside Kites
i love you - Billie Eilish
hot girl bummer - blackbear
Dancing On My Own - Calum Scott
You Are the Reason - Calum Scott
STUCKINMYBRAIN - Chase Atlantic
sometimes - Chelsea Cutler
Please Notice - Christian Leave
this is what heartbreak feels like - Clinton Kane
I Can't Make You Love Me - Dave Thomas Junior
I Will Follow You Into the Dark - Death Cab for Cutie
Marvins Room - Drake
drugs - EDEN
Wake Up - EDEN
End Credits - EDEN
and - EDEN
Way To Break My Heart - Ed Sheeran, Skrillex
wrong people - eli.
over you - eli.
love me not - eli.
Love - Finding Hope
3:00 AM - Finding Hope
You Were a Home That I Wanted to Grow up In - Flatsound
It's Sunday, April 19th and I Miss You - Flatsound
You Said Okay - Flatsound
Hands - Flatsound
Don't Call Me At All - Flatsound
Be Happy - FRND
I'm What You Need - Gabe Bondoc
i hate u, i love u - gnash, Olivia O'Brien
daydreams - gnash, Julius
i think you're really cool - guardin
Good Things Fall Apart - ILLENIUM, Jon Bellion
Can I Be Him - James Arthur
Paradox - Jaymes Young
better off - Jeremy Zucker, Chelsea Cutler
A Soulmate Who Wasnt Meant to Be - Jess Benko
right here - keshi
just friends - keshi
as long as it takes you - keshi
Someone You Loved - Lewis Capaldi
Honest Mistake - Max Embers
Next to You - Of Rust & Bone
Let Her Go - Passenger
No Right To Love You - Acoustic - Rhys Lewis
I'm Not Enough and I'm Sorry - Teqkoi, Snow
toxic heartbreak (for toxic relationships, being dragged down by your relationship, being unable to keep going on without hurting yourself or your partner)
Easier - 5 Seconds of Summer
Say Something - A Great Big World, Christina Aguilera
Faded - Alan Walker
Little Do You Know - Alex & Sierra
Toxic - Atlas In Motion
I Know - Atlas In Motion
ITS ALL GONNA BURN - blackbear
Skinny Love - Bon Iver
Lua - Bright Eyes
sunder - brakence
sometimes - Chelsea Cutler
please - Chelsea Cutler, Jeremy Zucker
this is what a toxic relationship feels like - Clinton Kane
Hot Mess - DBMK
Always On - DBMK
Twin Machines - DBMK
Analog Boy - DBMK
Be Alright - Dean Lewis
Half A Man - Dean Lewis
You've Haunted Me All My Life - Death Cab for Cutie
icarus - EDEN
Wake Up - EDEN
909 - EDEN
attached - eli.
go, just go - eli.
Erased - Essenger, Kazukii
Break My Heart Again - FINNEAS
You're a Mess in Public - Flatsound
Hands - Flatsound
t-shirt - gnash
lonely again - gnash
fuck me up - gnash
Falling Like The Stars - James Arthur
better off - Jeremy Zucker, Chelsea Cutler
hello old friend - Jeremy Zucker, Chelsea Cutler
Slow Dancing in a Burning Room - John Mayer
Crop Circles - Jon Bellion
street lights - killedmyself
The Story Never Ends - Lauv
Breathe - Lauv
Ruthless - MarMar Oso
Fix Myself - Mason Murphy
I Lost Myself - Munn
In Bloom (Acoustic) - Neck Deep
Broken - Patrick Watson
Stay - Post Malone
High And Dry - Radiohead
here we go again - tea
--
these are all my recommendations for each type of heartbreak. like i said, a lot of the songs overlap but based on your mindset or type of heartbreak, it can fit into different messages. feel free to recommend more songs, i'll gladly take a listen.
let me know if there's a certain type of mood of heartbreak that isn't really covered here. i'll try to find songs that fall under the category you desire.
if you want me to make more of these, let me know as well! i'd be happy to. happy (well, sad-ish) listening!
and also, since heartbreak seems to be a trend here, if anyone is going through a rough time, i'm always here to talk. love isn't easy and can be a real rollercoaster of emotions., i get it; i'll be here if anyone here needs to talk or vent.
submitted by 10/10
n/a
9/10
Blackstar-David Bowie
The Glowing Man-Swans
Bottomless Pit-Death Grips
Atrocity Exhibition-Danny Brown
We Got it from Here... Thank You 4 Your service-A Tribe Called Quest
Plays the Music of Twin Peaks-Xiu Xiu
8/10
Ultimate Care II-Matmos
Emotional Mugger-Ty Segall
Terminal Redux-Vektor
Paradise-Pop. 1280
Jumalten Akia-Moonsorrow
The Life of Pablo-Kanye West
Before A Million Universes-Big Ups
Weezer (White Album)-Weezer
Ritual Spirit-Massive Attack
Feelin Kinda Free-The Drones
The Impossible Kid-Aesop Rock
Strangers-Marissa Nadler
Pleaides' Dust-Gorguts
Vroom Vroom-Charli XCX
A Sailor's Guide to Earth-Sturgili Simpson
Imperial-Denzel Curry
Nonagon Infinity-King Gizzard and the Lizard Wizard
Spirit Phone-Lemon Demon
Teens of Denial-Car Seat Headrest
You Will Never Be One of Us-Nails
Lemonade-Beyonce
A Moon Shaped Pool-Radiohead
Black Terry Cat-Xenia Rubinos
A Weird Exits-Thee Oh Sees
Still Brazy-YG
Skeleton Tree-Nick Cave & The Bad Seeds
My Woman-Angel Olsen
Preoccupations-Preoccupations
Stage Four-Touche Amore
Fires Within Fires-Neurosis
Body War-Show Me The Body
Scum with Boundaries-The I.L.Y.'s
Remember Us to Life-Regina Spektor
Splendor & Misery-clipping.
Telefone-Noname
Blonde-Frank Ocean
Ruminations-Conor Oberst
End Position-Street Sects
Honor Killed the Samurai-KA
Bonito Generation-Kero Kero Bonito
E•MO•TION: Side B-Carly Rae Jepsen
Southern Family-Various Artists
WORRY.-Jeff Rosenstock
A Seat at the Table-Solange
Beyond the Fleeting Gales-Crying
The Long Dark Blue-Swain
Floss-Injury Reserve
Run the Jewels 3-Run the Jewels
Not the Actual Events-Nine Inch Nails
untitled ummastered.-Kendrick Lamar
7/10
Moth-Chairlift
Nevermen-Nevermen
99¢-Santigold
Varahtelija-Oranssi Pazuzu
Hyperion-Krallice
Malibu-Anderson .Paak
City Sun Eater in the River Of Light-Woods
IV-Black Mountain
The Hope Six Demolition Project-PJ Harvey
Post Pop Depression-Iggy Pop
One Day You Will Ache Like I Ache-The Body, Full Of Hell
Human Performance-Parquet Courts
Made in the Manor-Kano
Useless-Bones
Hella Personal Film Festival-Open Mike Eagle & Paul White
Holy Ghost-Modern Baseball
case/lang/veirs-case/lang/veirs
Lil Boat-Lil Yachty
The Terrible Tale Of Scurvy Jones-Mr. Yote
Tempo-Olga Bell
Sleep Cycle-Deakin
Konnichiwa-Skepta
The Magic-Deerhoof
Coloring Book-Chance the Rapper
Handshakes With Snakes-Apathy
IV-BADBADNOTGOOD
32 Levels-Clam Casino
Wildflower-The Avalanches
iiiDrops-Joey Purp
Wriggle-clipping.
Dissociation-The Dillinger Escape Plan
Jeffery-Young Thug
Prima Donna-Vince Staples
Telling It Like It Is-Marching Church
Jessica Rabbit-Sleigh Bells
Negus-Kemba
Dungeon Bastards-Ghoul
Voices-Wormrot
Yes Lawd!-NxWorries
BIG BABY D.R.A.M.-DRAM
24K Magic-Bruno Mars
"Awaken, My Love"-Childish Gambino
Do What Thou Wilt.-Ab-Soul
6/10
Jesu/Sun Kil Moon-Jesu, Sun Kil Moon
Leave Me Alone-Hinds
HYMNS-Bloc Party
Adore Life-Savages
The Ghosts of Highway 20-Lucinda Williams
Is the Is Are-DIIV
3001: A Larced Odyssey-Flatbush Zombies
The Unruly Mess I've Made-Macklemore & Ryan Lewis
I AKA I-Ash Koosha
Aa-Baauer
EVOL-Future
BBF Hosted by DJ Escrow-Babyfather
Metal Resistance-Babymetal
Nattesferd-Kvelertak
Hopelessness-ANOHNI
The Dream Is Over-PUP
SremmLife 2-Rae Sremmurd
99.9%-KAYTRANADA
Freetown Sound-Blood Orange
How to Be a Human Being-Glass Animals
Everybody Looking-Gucci Mane
Major Key-DJ Khaled
All Your Happy Life-The Wytches
Schmilco-Wilco
PaidProgramming2-Bones
Rain Temple-2814
Hardwired... To Self-Destruct-Metallica
The Sun's Tirade-Isaiah Rashad
Joanne-Lady Gaga
Sirens-Nicolas Jaar
A Fistful of Peril-CZARFACE
4 Your Eyez Only-J. Cole
5/10
Pool-Porches
Life of Pause-Wild Nothing
Painting With-Animal Collective
I'm Up-Young Thug
Love Streams-Tim Hecker
Too High to Riot-Bas
The Bride-Bat For Lashes
Slime Season 3-Young Thug
Skin-Flume
The Getaway-Red Hot Chilli Peppers
The Colour in Anything-James Blake
The Human Condition-Jon Bellion
Innocence Reaches-of Montreal
There's Alot Going On-Vic Mensa
Hypercaffium Spazzinate-Descendents
Blank Face-Schoolboy Q
Bobby Tarantino-Logic
The Bible 2-AJJ
Summer Songs 2-Lil Yachty
The Altar-Banks
22, A Million-Bon Iver
The Healing Component-Mick Jenkins
American Football-American Football
1992-The Game
Woman-Justice
Starboy-The Weeknd
Black America Again-Common
Cozy Tapes Vol.1 Friends-A$AP Mob
Stilness in Wonderland-Little Simz
4/10
The Peach Panther-Riff Raff
Dystopia-Megadeth
I Like It When You Sleep, for You Are So Beatiful Yet So Unaware of It-The 1975
ANTI-Rihanna
Majid Jordan-Majid Jordan
The Wilderness-Explosions in the Sky
Gore-Deftones
Mind of Mine-Zayn
Views-Drake
Genesis-Domo Genesis
Lil Uzi Vert vs. The World-Lil Uzi Vert
AMNESTY (I)-Crystal Castles
AIM-M.I.A.
The Serenity of Suffering-Korn
PARTYNEXTDOOR (P3)-PARTYNEXTDOOR
The Divine Feminine-Mac Miller
Rheia-Oathbreaker
Passion, Pain & Demon Slayin'-Kid Cudi
3/10
Not To Disappear-Daughter
Warlord-Yung Lean
Junk-M83
Future Present Past-The Strokes
Lil B.I.G. Pac-Kodak Black
Birds in the Trap Sing McKnight-Travis Scott
The Perfect Luv Tape-Lil Uzi Vert
Revolution Radio-Green Day
2/10
Star Wars Head Space-Various Artists
Always Strive and Prosper-A$AP Ferg
Silhouette of a Sunkken City-Spark Master Tape
1/10
n/a
0/10
n/a
NOT GOOD
New English-Desiigner
California-blink-182
Savage Mode-21 Savage & Metro Boomin
Unleashed-Skillet
Showtime-Trisha Paytas
Angelic 2 The Core-Corey Feldman
The Violent Sleep of Reason-Meshuggah
Lady Wood-Tove Lo
Stoney-Post Malone
Other lists
2010:
https://www.reddit.com/fantanoforevecomments/d2a9uq/all_ratings_of_2010/ 2011:
https://www.reddit.com/fantanoforevecomments/d3paad/all_ratings_of_2011/ 2012:
https://www.reddit.com/fantanoforevecomments/d4p95g/all_ratings_of_2012/ 2013:
https://www.reddit.com/fantanoforevecomments/d5kels/all_ratings_of_2013/ 2014:
https://www.reddit.com/fantanoforevecomments/d95b5w/all_ratings_of_2014/ 2015:
https://www.reddit.com/fantanoforevecomments/dem7xc/all_ratings_of_2015/ 2017:
https://www.reddit.com/fantanoforevecomments/dfi9kz/all_ratings_of_2017/ 2019:
https://www.reddit.com/fantanoforevecomments/d1arzj/all_ratings_of_2019_so_fa submitted by
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“I can't believe this is my eighth studio album and I know I keep telling you that it is my most personal record yet, but its true and I'm really proud of that”
This
quote from
The Legendary Miss Britney Spears would most likely haunt her for the rest of the career, especially because it came in the eve of the release of her infamous 2013 album
Britney Jean, whose title anticipated a rare introspective look into a star with over a decade on the spotlight (most of the times for the wrong reasons)… also, it came right after her previous album, 2011’s
Femme Fatale, became her first full-length effort without any songwriting input from the Princess of Pop, although a Japanese bonus track features a co-writing credit from her.
Of course
Britney Jean deserves most of the criticism it receives and yet, it also deserves way more than just being outright ignored even by most of Britney’s diehard fans:
Britney Jean is more than just
Work Bitch and 13 b-sides, is more than Brit’s most dated-on-arrival release… Britney Jean is a case study of what was pop in its time, what changed and why it stopped being as popular as it once was….
POP BEFORE BRITNEY JEAN
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Early 00s pop music was being left aside by the general public during the heydays of gangsta rap, Timbaland/Pharrell-infused R&B and rock/nu-metal… at least until around the period between 2007 and 2009, the start of the Golden Era for
popheads: The anthemic choruses, the prominent synths, the light and care-free nature of the lyrics, everything was there to pump you up and make you dance… however everything would change in 2013, when streaming was finally introduced to the Billboard formula. After the satirical K-pop track
Gangnam Style by Psy took the world by storm, it was noticed how in the United States the song was blocked from the top spot by the inconsequential
One More Night by Maroon 5, even if
Style had the lead in sales for most of the 12 weeks it stayed at the Top 10 (as you might have guessed, radio had something to do with that), pushing Billboard to update their methodology and
add streaming to the mix.
The first song that benefited from the change in the tracking methodology would prophetize what would come next for the charts in general:
Harlem Shake, a nearly-instrumental meme song debuted at the top spot and stayed there for 6 weeks total. Another novelty song, Ylvis’
The Fox (What Does The Fox Say?) would visit the Top 10 later in the year based on virality alone.
Although rap, indie music and more traditional pop music found their way during this year, the presence of outliers like Lorde’s
Royals, genre-defying tracks like Avicii’s
Wake Me Up! (a country/folk tinted EDM anthem) and Florida Georgia Lane’s
Cruise (considered the grandfather of the bro-country genre, made popular on pop radio thanks to a tackled-on rap feature by Nelly), and the aforementioned viral hits not only showed that general audiences were craving something new, but their success would pave the way for a big change in pop music.
BRITNEY BEFORE BRITNEY JEAN
"Sometimes you don't need to use words to go through what you need to go through, sometimes it's an emotion you need to feel when you dance, that you need to touch. And the only thing that can touch it is when you move a certain way."
Britney Spears on the For The Record documentary, one of the rare glimpses she gave us on her life before Britney Jean
Britney, of course, was partially a pioneer and a tail-rider of the maximalistic electro sound of the era,
as proven by the influence and cult following of what most people consider her magnum opus, or at least her more direct and honest album, 2007’s
Blackout, which is ironic considering that Britney only has two writing credits in the whole project and how even The Unstoppable Danja
called it ‘impersonal’.
After
Blackout, Britney would continue to ride the same sonic palette with her follow-up, 2008’s
Circus and then move onto
Femme Fatale, which, in spite of its “forward-thinking” nature (
as described by the label-appointed producer and current persona non grata Dr. Luke) and slick production, it was heavily criticized for its anonymity and lack of input of the singer in the record, which led to Britney to defend herself stating, rightfully, that she had
nothing to prove.
THE MAKING OF A PERSONAL ALBUM
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The mastermind behind
Britney Jean was none other than hitmaker will.i.am, whose involvement on the record came as a surprise to no one given how they have collaborated twice at that point and get along really well (you can read more about it
in this post I made a couple of months ago), however, the Black Eyed Peas frontman doesn’t deserves all of the credit for the record as Britney herself decided that she would be more involved and had a pivotal role into the making of this record.
Although
the early stages of the album
pointed towards a more hip-hop release, will.i.am’s involvement and her chemistry with Britney put her forward into the recording and making of the album.
Realizing that she wanted a more straightforward release that wasn’t as bouncy and genre-hopping as her predecessors, Britney
searched with will.i.am a series of collaborators that could help her bring her ideas to life, as she didn’t wanted to sing impersonal songs that her team just happened to receive; this, unfortunately, ruled out the involvement of the Saint Patron of pop production Max Martin, although it relegated Dr. Luke to a sole bonus track so that’s a win in my book.
Britney Jean is her only release in which she’s credited as a co-writer in each track, including bonus tracks… her closest before that was
In The Zone in which 9 of the 14 (including bonus) tracks sported a Britney co-write.
THE PERKS OF BEING A PERSONAL ALBUM
I have been through a lot in the past few years and it has really inspired me to dig deeper and write songs that I think everyone can relate to […] I want to show you the different sides of Britney Spears.
I am a performer.
I am a Mom.
I am funny.
I am your friend!
I am Britney Jean.
Britney Jean Spears
Britney has never been the kind of performer that would pour her soul into her lyrics, and even have occasionally distanced her private life from her lyrics (she famously rejected the Timberlake-bashing
Sweet Dreams My LA Ex, later given to ex-S Club 7 member Rachel Stevens as her debut single), although in the few glimpses we have gotten from her real persona (the stunning
Everytime and the dubious
My Baby for example) have always leaved her fans with the idea of her getting more involved with the subject matter of the tracks… I mean, the exploration of fame in tracks like
Circus and
Piece of Me are great, but what about explorations of who is Britney?
Britney Jean is her first album released in her 30s, and after finally deciding to get this involved in the songwriting department 15 years into her singing career was no fluke: chalk it up to coincidence, to the fact that it was long due given her background (Britney had lived A LOT of unwanted stuff during her career, married twice, had two kids, survived the most public mental breakdown unimaginable and more while being one of the most successful female performers currently working… also, that year she had ended her engagement with her manager Jason Trawick) or to misogyny (if you wanna go there) but female singers seems to go personal and/or mature in their 30s, with some popular examples including Madonna’s
Like A Prayer (described by her as being "
about my mother, my father, and bonds with my family"), Mariah Carey’s post-divorce genre-bender
Butterfly (if her birth year is believed to be 1969), Beyoncé’s whole post-Matthew Knowles era (
4 was released three months before she turned 30), Nicki Minaj’s back-to-my-roots release
The Pinkprint and Katy Perry’s purposeful woke pop release
Witness (Katy, I love you but 💀) among others.
Another thing to consider is that doing “personal” songs have always being interpreted as tracks with stripped-away or piano-driven arrangement, something that Britney, who had sung about being on the club or having sex (or even both on the same track) so many times it kinda become her trademark, is not something she’s might get allowed to do, especially when the current-at-the-time pop scene and Britney’s then-current sound were a far cry from the kind of sound these “confessional” tell-all songs normally have.
#BritneyPleaseSavePopMusic
(this was a real hashtag that was worldwide trending topic on Twitter in September 2013) With the anticipation of what a Britney-fied personal record would sound like, anticipation was in an all-time high among fans… so it was natural that her most introspective record would be anchored with an EDM song called
Work Bitch. In Britney’s defense, will.i.am pointed out
almost immediately how the braggadocio track didn’t represented the album but it was rather about Britney Spears herself.
Promoted with what was heavily
rumored to be a 6.5-million-dollars budgeted video which was
supposedly heavily sanitized from its originally sexed-up original version (more on that later), the video itself represented most of the promotion the whole album received, as the album’s second and final single (
Perfume) was left to rot in negligence after the album’s release.
Outside of a couple of TV appearances (not performances, just interviews), including one to promote her then-upcoming “2-year” Las Vegas residency Britney Spears: Piece of Me, and an E! documentary about the making-of the album and said residency, no actual promotion took place for Britney Jean, which led to the inevitable.
BRITNEY UNLEASHES HER MOST “PERSONAL” ALBUM
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Britney Jean was unleashed to the world on December 3rd of 2013, one day after the Princess’ birthday, and was a big commercial disappointment,
debuting at number 4 on Billboard with sales of 107,000 copies (a little bit more than a third of the sales of
Femme Fatale), even lower than those of her debut album
…Baby One More Time; 3 years after its release,
BJ had sold less in the United States than
FF in its opening week, although it was
eventually certified Gold by the RIAA… this February. Internationally, the release didn’t fare any better and debuted at record-low positions for her releases in most international markets, including missing the Top 30 in the UK.
As most of you already know, reviews we’re nasty all around, the worst of Britney’s career. Because of the
somewhat mean content of some of those reviews, I would instead resume what are the biggest perks critics had with the release:
- The album’s production (carried mostly by will.i.am protégé Anthony Preston, who hasn’t done anything ever since) was considered monotone, repetitive, dated, backward-thinking, overproduced and by-the-numbers. The album, full, on EDM beats and synthesizers, doesn’t really have that much of a breathing spot as there’s not that much of musical variety.
- Lyrically, the album was considered a disappointment considered its nature as a “personal album”, with the lyricism being considered somewhat superficial given the self-titled naming and Britney’s hype surrounding the content itself.
- Vocally, Britney Jean was ripped apart by critics and even some listeners. When the opening track’s autotune-less “warm up” vocal sessions leaked in 2014, critics complained about Britney’s (lack of) vocal talent and added fuel to the debate about wherever she’s actually talented at all, accusations that the song producer William Orbit dismissed.
SING A SONG OF SIXPENCE, MISS BRITNEY SPEARS
After one of the songs leaked ahead of the album’s release,
there were accusations that backing vocalist Myah Marie (who had appeared on Brit’s previous two albums) was the lead singer not only on said leaked track but also in a large portion of the album (
this is what she sounds like), accusations that Marie
herself denied as well as Britney’s reps.
Her representatives claimed that Marie wasn’t involved in neither
Perfume nor
Passenger, the tracks that were
the source of most of the controversy, and ultimately she wasn’t credited in none of those songs, although she’s credited as a (not background) vocalist in several of the other tracks of the album (mostly the Preston-produced songs as
Work Bitch,
Tik Tik Boom,
Til It's Gone,
Chillin' With You and
Now That I Found You), including
Alien (in which she’s not credited), who
had a vocal steam leak in 2014 which showcases how uncanny is Myah’s
impression of Britney is. A credited background singer is Sia in her co-composed single
Perfume, which was the source of a weird misstep when Britney was caught lip-syncing to a version of the song with
Sia’s vocals forefront in the mix.
A lot has been said about how
Britney’s signature singing ‘baby’ voice is not her real one, how do
they compare and
how much damage has done to Brit’s current vocal chops, and even though she
can still sing wherever she wants to, it’s quite obvious that she’s not that comfortable with it and, as such, she prefers to enhance her voice with the use of technology and some studio trickery… also, she might have gotten used to it considering how effortless and vivid were her earlier performances…
here’s I’m A Slave 4 U at the 2001 VMAs just because how iconic it is.
BRITNEY JEAN… BY BRITNEY JEAN SPEARS
"People can take everything away from you, but they can never take away your truth.
The question is: Can you handle mine?"
Britney Spears in a song that’s not from this album and not originally from her
Described by critics as “
a concept album about the loneliness of pop life”,
Britney Jean actually open with quite a promise with
Alien, a mid-tempo, melancholic, airy, ethereal dance pop opener that works as a more teenage-sounding version of
Ray of Light, which is not surprising considering the involvement of said album’s mastermind (the aforementioned William Orbit) and that sonically picks-up where
FF closer
Criminal left off, but lyrically is quite different, as it portrays Britney having an intimate and personal realization that she, after years of tumultuous and erratic events, has lost grip of who she was and how she felt like an extraterrestrial in her own world; however she realizes that she’s not longer alone as she looks at the glow in the stars as a light to guide her home away from her insecurities of the past, and to feel safe and finally finding comfort in her true skin, as the chorus repeats the catchphrase ‘
not alone’ “
until it is pitchshifted up like a departing space ship”
Originally intended to include Gaga in the song (and also
supposed to be released as a single, which unfortunately didn’t happened),
Alien was considered the conceptual and musical highlight of the project by critics, and is easily the most personal, vulnerable and my personal highlight of the project… which made everything that came afterward a hard pill to swallow. Before that, I can’t help to mention THE GLITCH (
2:14 in the song), which was
apparently, as everything wrong with music of the period, will.i.am’s fault.
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Work Bitch (alternatively known in censored form as
Work Work, or in the explicit version as
Bitch Bitch) is a hard hitting EDM smasher and heavy mood-whiplash, which was definitely
not co-written by Sebastian Ingrosso, in which Britney gently asks us (over a basic club beat which grows more overloaded as the song moves forward) is we want a hot body, an European luxury car (either a
Bugatti, a
Maserati or a
Lambo skirrt skirrt skirrt) or to sip martinis while partying in a big mansion in France, only to disappoint us by calling us bitches and telling us to better work as if we were supermodels and
she was RuPaul.
WB is, if
you wanna practice some mental gymnastics, more ‘personal’ than its given credit for, as Britney details how much benefits she gets from hustling all these years, and inviting us to dance with that smashing wall-of-sound-laden beat that drowns most of the track. Way more forward-thinking and exciting that everything that comes after it,
WB has become somewhat of a new classic for the Princess of Pop, and is pretty much deserved of said designation.
Perfume, co-written by Sia, is another album highlight (
actually Britney’s favorite from the album) and one of the finest ballads of Brit’s late-catalogue. Written about her ex-fiancé Jason Trawick, the song deals with Britney’s insecurity about a current relationship, with Britney singing with some of her strongest vocals in years about how she believes that her partner is cheating on her and how she puts on her perfume in order to mark her territory. Released with a tie-in with her perfume Fantasy, the song kinda flopped worldwide and halted all of the promotion of the album, however it still remains (alongside the rawer
Dreaming Mix, included as a bonus track) as one of the most interesting songs in 2010s Britney catalogue.
The music video, directed by known troll and middling talented videomaker Joseph Khan, has an unreleased director’s cut in which the straightforward concept of a cheating partner
is changed to that of Britney playing the Angelina Jolie role in a gone-wrong version of
Mr. and Mrs. Smith sans the boyfriend who is also an assassin.
It Should Be Easy finds Britney’s voice drown in both the auto-tune setting used by Kanye for the
Runaway coda and the vocals of guest-star will.i.am in the chorus, all while produceco-writer David Guetta rehashes Swedish House Mafia (which originally broke up the same year in which
BJ was released). The song, about Britney imagining a bright-normal-future with a man who had stolen her heart, stating that love “
shouldn't be complicated”. Although I like this song, and her team obviously likes it to as it commissioned remixes to be serviced to clubs, it signals when things start to go somewhat downhill.
Tik Tik Boom, the T.I.-assisted fifth track, was always dubbed as a potential third single (remixes were commissioned but nothing official ever came up), and it’s not hard to see why: as one of her rare collaborations with a rapper, the static-y, dance-floor ready production presents Britney teasing a male partner with a night of… well… tik tik boom… that means sex, doing so while serving some circa-2001 sexy vocals as T.I. raps about treating her like an animal up to the point that PETA (
which hates Britney) should be called in response. It’s fast, it’s straightforward and yet, it’s kinda forgettable and also very disappointing coming from or Princess Urbanney.
Guetta comes back with
Body Ache, another outdated EDM bop in which Brit (accompanied by vocoder and several dozens of vocal distortion treatments) sings about the kind of ‘I wanna dance so hard it gonna turn you on’ anthem which Miss Spears can do on her sleep, with a backtrack that sounds straight out of the EDM will.i.am was doing with the Peas during the Beginning/E.N.D. era. Also it ends in a somewhat anticlimactic way.
Personal Britney makes a return with this track that wouldn’t be too out of place in
FF: The Guetta co-written
Til It’s Gone, in which Brit realizes that, after losing the love of her life (Trawick), her life would never be the same, or how “
you never know what you got 'til it's gone”. Coming some two years to late sonically, in terms of lyrics the track it’s another story, as some interesting imagery pops here and there and it’s nice to leave the dance floor behind, especially when talking about a woman who (at least in the previous albums) rarely shut up about them.
Katy Perry arrives on the record but not as a feature, but as a writer, in the Diplo-produced, Sia-co-written and
Prism outtake
Passenger, in which some interesting EDM beats moves out of the way after the opening (they come back, don’t worry) to reveal a refreshing and very welcome electropop rock song with some great Britney vocals about letting someone to guide her after she’s willing to let herself be his ‘passenger’. Great lyrics, daring production, good vocal performance… it’s not hard to see why critics loved this track so much, and it’s a shame it gets buried among so much underwhelming stuff.
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Chillin’ with You, the album’s most infamous moment, finds Britney dueting with her sister, ex-Nickelodeon star and attempted country singer Zoey Meredith Brooks, about hanging out together and drinking wine (Brit likes red, Chase Matthews' ex likes white wine) while, as the southern white suburban moms they are, they feel they have nothing else to worry about. Although the lyrics are… well… cute, and the subject matter is decidedly novel by Britney’s standards, the mixture of country and EDM doesn’t mash as well as the producers might had expected… also, the fact that their vocals were so obviously recorded in different sessions (as showed by the kind of chemistry you only see
in cheesy 70s movies starring John Travolta and Lily Tomlin) makes the whole ordeal so surreal.
The album closer in the standard edition is
Don’t Cry, a FUCK YOU MR. TRAWICK song in which Britney reassures his man that it’s not worthy to cry as their relationship was always directed to end no matter what they do, and how she’s gonna go to not see him all tear eyed. The bouncy but subdued dubstep back track by pop goblin and producer will.i.am enhances what is arguably Britney’s best vocals in the whole album and some really nice lyrics which still doesn’t work as an album closer.
Sia comes back in the first bonus track of the deluxe edition,
Brightest Morning Star, and she brings with her current pop Pariah (that would be Dr. Luke, but he’s only in this track) to the mix, on a
track about God (or
maybe about her kids, according to Dr. Puke), or at least one that implies to be one; in Sia’s words: ‘
Britney was extremely sweet. She came in with the title ‘Brightest Morning Star’ and told me that’s how Jesus found his way. She wanted to write a kind of gospel song that wasn’t ramming it down your throat’. Despite the good intentions,
BGS is no
Jesus Walks and it gets short in the musical department, with a surprisingly weak instrumental which doesn’t do any good service to the song.
Britney continues her religious quest with
Hold on Tight, a mid-tempo ballad that in which Miss Spears details how God comes into her dreams (or it might be an
Incubus?) showing her the path to righteousness, even when the road is not as friendly with her, and… to be honest, this is my least favorite song on the album, it’s just so forgettable even if it’s quite refreshing in the context of
BJ.
To end the evening, Britney continues her unintentional audition to become a gospel singer with
Now That I Found You, a shameless EDM track (with early-10s euphoric drop and everything) about how incomplete she was until she found Him (to be honest, this could also be another love song, but after two bonus tracks about God it’s easy to see where she was pointing towards with the vague lyrics) and how everything is better now. Unlike the forgettable predecessors,
NTIFY is fun (dated? Sure… but also fun), it’s bright, it’s colorful, it’s happy, and one of my favorite songs on the record… even if co-writer Guetta basically ripped off his own hit
Without You from 3 years before.
u/radiofan15’s UNWANTED OPINION ABOUT BRITNEY JEAN
Britney Jean is not an autobiography, it’s not a tell-all gossip-venting machine, it’s a clean, overproduced product of misdirection and lack of focus… and yet it’s actually fascinating in several ways: it’s arguably the greatest resume you would find of how pop music sounded in between 2008 and 2013, it’s a great bridge between the impersonal heavily-polished
Femme Fatale and the serviceable and engaging
Glory, which saw Britney leading the way on how everything would sound from the start.
It’s quite ironic how the album’s naming (taking a cue from Janet Jackson’s
Damita Jo, her actual middle name) plays against it, as self-titled releases (unless they are debut albums) are associated with being in control of your output or reinventions (pop examples includes
Paramore as their first release as a trio,
Beyoncé to fit the minimalistic sounds and Janet Jackson’s
janet. to showcase independence from the Jackson family) and unless you’re Led Zeppelin, Peter Gabriel or Weezer, the idea of having a second eponymous release usually means that audiences should expect to experience the performer in a never-seen before way. 2001’s
Britney was the album that give a meaning to the phrase “
I’m not that innocent” spurred in her previous effort, with lyrics talking about womanhood and sexuality being complemented with R&B vibes and rock/hip-hop elements.
Britney Jean, when compared to
Femme Fatale, is way behind the difference between
Britney and
Oops!... I Did It Again, which in retrospective is even worse as the relative freshness and reinvention of
Glory leaves the ‘openness’ and ‘variety’ of
BJ in shambles.
One of the album’s biggest mistakes is in its sequencing: the first three tracks are the obvious highlights, the next three are basically DOA EDM songs, the next four are the most “adventurous” musically speaking and the bonus tracks are all about God. Taking out some of the ‘pure club’ anthems could theoretically create an album more deserving of its ‘personal’ label, going full Spinal Tap and amp up the production values to do something crazier might have given us something that was at least digestible in a single listening.
The album, as it is, is not perfect, but it’s far from the dumpster fire more people called it, including some of the most interesting Britney songwriting in years (or even her career) and some tracks that are already started to show signs of cult classic. The only positive thing most people seems to agree with is how short it is: with the alternative mix of
Perfume included,
BJ is ‘only’ 50 minutes long (the standard edition is just 36 minutes long), which is something most performers (even today) seems to struggle with.
Also, she didn’t came to play games with the art cover and aesthetics this era, the album cover and the booklet is her most gorgeous to date, with the former having her most flattering front picture of any of her albums and the neon typography creating a very pleasing contrast with her elegant black-and-white imagery (in the deluxe edition) or the elegantly, milky pastel coloring of the standard edition.
THERE CAN BE 100 LISTENERS IN THE ROOM AND 99 LEAVE BUT ONE... - BRITNEY JEAN THE DAY IT DEBUTED
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Britney and her team gave up quite easily on
Britney Jean and, honestly, they shouldn’t be blamed: the offer to have a Vegas Residency with
a salary of $15 million dollars per year seems like the kind of offer a pop star and mother of two with enough money already for several timelines would accept, with the album itself being more of an afterthought.
Britney was originally slated to remain on the Planet Hollywood Resort & Casino for two years but ultimately extended her run for another two years, before finally touring overseas (without an album attached to the performances) during 2017 and 2018.
Because of the lack of promotion,
Britney Jean underperformed when compared to Miss Spears’ previous releases, with estimated worldwide sales (as of April 2018) being close to 1.3 million copies, less than a third of
Femme Fatale’s sales.
Truth be told,
BJ flopped hard… HOWEVER, not everything would have turned out that terrible (not even in a million years it would have sold as much a
FF but at least the downfall could have been smaller) with some actual promotion and interest from Brit herself.
SOME REACHING… I MEAN… THE SIGNIFICANCE OF BRITNEY JEAN
BJ is, in my opinion, a compilation of the era, the resume of “in the previous episode of” that you get on serialized TV shows, a farewell to the bombastic era of synth-heavy EDM club anthems with gratuitous drops and interchangeable lyrics. During the genre’s opus, some performers tried to bend this sound (and their equivalents) to their benefit, either mixing it with their style or playing with the boundaries of the sound: it could be a Taylor Swift doing a
We Are Never Getting Back Together to get a broad crossover hit, a Lady Gaga mixing multiple genres to create a sonically complex pastiche called
Born This Way, or even straight-up jumping almost seamlessly from rap/R&B to club bangers like Nicki Minaj did in
Roman Reloaded. Britney in
Britney Jean did almost the opposite of that.
Britney Jean is, in some ways, a time capsule of the era in its rawest and purest form (some might differ and replace those buzzwords with generic and bland), with the average user being able to trace mostly any track to a style, influence, sub-genre or even performer. Listening to
BJ is like watching a 70s movie in VHS in an old, square TV, basically an
unintentional period piece that reflects the volatile, bombastic and extravagant style of those golden years of 2008-2013, which, within the mindset of
Britney Jean sounds kinda tired and bland, surprising no one when that branch of pop went back into obscurity and irrelevance almost as fast as grunge music did when Kurt Cobain died.
Britney Jean came up in a time of transition of popular music, with streaming showing the kind of power it had on the charts and more subdued, minimalistic music taking the world by storm. Popular music, as you might already noticed, evolved into a slower, more melodic, calculated, numb, almost anticlimatic entity which was more fitting with our current social and political climate. To
paraphrase Todd in the Shadows: 2013 had a hit literally called
Happy and 2018 had both a hit called
SAD! and another called
Happier with a video about a dog that dies.
In terms of Britneyology (both the study of Britney Spears and the religion dedicated to her persona),
BJ is also a glimpse into Britney the full-fledged artist. Britney has never been the kind of performer that gets heavily involved into her music, with Britney’s role being generally limited to the choice of songs, sequencing, development of sounds and themes with her assigned team of writers and producers, and performing of course; sometimes Britney gets involved into the heavier portions of her music (the classic
Everytime is a great example of it) but most of the time she remains quite anonymous, with her voice and choice being overwritten by the men on charge, something that became quite apparent during and after the Dark Ages (2004-2008) with the cancelling of the legendary
Original Doll, her lack of songwriting credits in both Blackout and Circus, and her much-criticized anonymity in
Femme Fatale.
BJ was Britney deciding who does want to work with, what does she wants to sing and even how to equilibrate her musical and visual persona. Britney has always being in control of how is she portrayed on official media, most famously rejecting an animated concept for the video of …Baby One More Time in favor of a Lolita-inspired take on catholic school girls, and then the slow process from jailbait to grownup woman. During the post-production of the Work Bitch video,
she clashed with director Ben Mor over the kind of content the video should show, as she was a mother in her 30s now instead of an unreachable male gaze fantasy.
With
BJ, the Legendary Miss Britney Spears showed us how much she has changed since that controversial 2003/2004 period (the last time she was that involved with an album) in which she received the Kiss of Death from Madonna, suffered her infamous accident and, of course, married twice in a calendar year. This new Britney was a much-different person, and her voice deserved to be heard, and even if the results weren’t the greatest, it was a step into the right director for Britney to get what she always wanted: being a full-fledged artist capable of taking her own decisions and learning from her mistakes.
POP AFTER BRITNEY JEAN
https://preview.redd.it/382f3hucce221.png?width=1500&format=png&auto=webp&s=b270179e2de3c085b7dd38ea838588f2f45d9e4b Coincidentally in 2014 most of the ambassadors of the dominant pop sound of the early 10s were either taking a musical break, flopping or changing lanes, so that year paved the way for the transition of what do we define as popular music, with the winners of the evolution race being trap (Fetty Wap’s
Trap Queen), meme music from awful people (Bobby Shmurda’s
Hot Nathans) or untalented losers (T-Wayne’s
Nasty Freestyle, Silentó’s
Watch Me), trop pop (OMI’s
Cheerleader, Justin Bieber’s entire
Purpose era) or whatever outlier track dared to pass through those filters.
What happened afterwards is a horror story most of
popheads tells in fire camps a la Are You Afraid of the Dark?
BRITNEY AFTER BRITNEY JEAN
Glory , the follow-up
Britney Jean, received very positives reviews and was considered a strong return-to-form for Britney, and even if it wasn’t as successful as her label might have wanted, the truth is that, at the end of the day, whatever Britney decides to do next (and considering the direction she seems to be taking) it can be as underwhelming as
Britney Jean.
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